The bookbinding design includes work on the front cover, front and rear rings, front page, text, copyright and printing materials. This article focuses on the design of book design, which is one of the aspects of binding design.
"Bookbrow" generally refers to a book layout design under the incision on a book, which is independent of the text, single-character chapter names, and double-coded book titles. Above two dimensions on one visual surface, two lines of text are like two eyebrows, so they are called brows. The main function of the book brow is to indicate to the reader what books they are looking at and what they are looking at. However, we cannot ignore its other important function, that is, beautify the layout and balance the line of sight, giving the reader a relaxed and happy feeling. The book brow is composed of words, symbols, line segments, and so on. Of course, the presence or absence of a book brow, the change of words, line segments, and symbols, and the arrangement of space should all be different according to different books. Most of the books are designed with the eyebrows in mind. This is mainly due to its convenience in reading and beautifying the layout. The book brow design is a packaging art, and the appropriate book brow is a sacred brush, which can add glory to the book brow, so that readers can not put it down. So how do you design a book eyebrow? I think we should pay attention to the integrity, aesthetics, and practicality of the design of the book. As long as these three are well combined, coupled with the readability and practicality of the contents of the books, we can design a good book that is popular with readers.
Integrity
In the case of a single book, it consists of a cover, a seal, a cover, front and rear rings, a front page, a foreword, a foreword, an outline, a table of contents, an index, a text, and an illustration. The design of the book brow is the same as the above. All elements are combined, consistent before and after, in one go. Especially in the form of expression, the designer must carefully study the manuscript so that the book brow truly reflects the inherent meaning of the manuscript. The designer should refine and sublimate the text of the book and accurately express it as a silent language on the layout, so as to impress the readers with calmness and create heart-to-heart communication with them. For example, when I was designing the "Dictionary of the Historical Records" (1994 edition, 16th), taking into account the "Historical Records" for the Han Dynasty works, it was a grand masterpiece. The Han Dynasty famous bricks, tile, stone carvings, its artistic value has been recognized by the contemporary people. China is the hometown of dragons, and there are no fewer than 100 kinds of stone carvings. When I was designing the book, I designed the Chinese characters to be smaller on the 4th and smaller on the 5th. Together with the text, the Han Dynasty portraits will be carved on both sides of the cut heart of the foreword, the catalogue, and the first chapter of each chapter. The middle line frame will be the name of the section of the chapter. In the remaining content of each double-single code is ranked on the next anti-line of the incision, online page number, title and chapter name, only in the single code Qi Shumei anti-line by the incision at the Eastern Han Dynasty carved stone dragon portrait brick. The stone dragon was unearthed in Nanyang, Henan Province, and it was one of the birthplaces of the Chinese nation. At a closer look at the map, Shenlong twisted his head and looked back at his mouth and his tongue-shaped body and figure-shaped body to carry the immortals. His majestic four-footed and fast-moving body is vividly represented on the paper, symbolizing that the history of the Chinese nation is an indomitable and strenuous history. . The Chinese nation will surely be able to make a magnificent and wonderful contribution to the history of human civilization in the history of the world. This is exactly the essence of the book.
Aesthetic
The book eyebrow is "brows eye" and "eyebrow". It plays a role of guiding and facilitating readers' reading. It also has the function of beautifying the layout, adjusting the viewing angle, and balancing the senses. In view of this, I thought that I would not be able to put my head on the edge of the book like many years ago. It would be too single and rigid, like a thousand people. The development of modern society, economic prosperity and rich cultural life have made people’s social life colorful and diverse, especially in the busy and fast-paced work. People are not satisfied with reading newspapers and reading books. "Leather", to study in a pleasant, relaxed, casual atmosphere. This requires the layout of the book to be beautiful and must be highly decorative. Chinese characters are different from English, and English is flower-shaped. It has a strong decorative effect; Chinese characters are square characters, especially simplified Chinese characters. Although writing is simple, the decorative effect is not strong. With the development of computer photocopying application software, there are many font changes, which requires our designers to make full use of computer tools, to play their own artistic imagination, mining the cultural connotation of Chinese characters, call points, lines, blocks, boxes, fonts, symbols, Use black and white gray or multi-colored, warm and cool to decorate the book eyebrows and beautify the layout. Let readers do not feel tired and happy, and the effect of reading will certainly be good. Based on this guiding ideology, when I designed books such as "White Horse Temple and Chinese Buddhism," "Guangguang Master Yearbook," "Diagram Students' Idioms Dictionary," and "Primary School Words Handbook," different book contents were made. Different book eyebrow designs. "White Horse Temple and Chinese Buddhism" and "Yinguang Master's Yearbook" belong to the same type of Buddhist eyebrows. In order to embody the ancient spirit of Buddhism, the texts are vertical, and the eyebrows are also arranged vertically by cutting. The "Yinguang Master's Yearbook" is an anti-line vertical line of text, with a horizontal line at the middle of the line. The lines are lined with double-code titles, single-code years, and the horizontal lines are lined up. The positive and negative lines form contrasts, and the positive line is just in the middle of the book, which is the focus of the perspective, which plays a balancing role. "White Horse Temple and Chinese Buddhism" is divided into three vertical frames within the thin frame line. The form of the title, title, and page number are vertically arranged from top to bottom. Together with the line segment, it is divided into a chapter title and a silver net lined with ash nets for traditional Chinese characters in black-and-white titles, so that it integrates with the square, antique, and has a strong bookish tone. "Graphics Student Idioms Dictionary" and "Primary Words Handbook" belong to the student's books, but the contents are arranged one by one. "With map student idiom dictionary" for 48 format: surface 110mm × 150mm format, basically every one row of a word, resulting in each version of the next version of the heart is not the same. In order to understand this deficiency, I ranked the title on the 5th small body, and added "◎" on both sides to make a page number by cutting. In this way, a balanced perspective and the effect of beautifying the layout are achieved. The book “Primary School Students' Words and Phrases†has a size of 64. It requires a large layout and a large number of characters. I rely on the incisions to center the pages above and below the pages of the two small swallows. It means that elementary school pupils like spring nestlings fly high in the garden. The design of the upper eyebrow book is different, and the specific arrangement was made based on the content of the manuscript, which reflects the aesthetic principle of the book eyebrow design.
Practicality
The practicality of the design of the book brow can be discussed in two ways. One is that from the up and down process procedures, the designer should consider the operability of the next process, such as the design of large items of small format, the design of the book as a bleeding or large bleeding shading will bring difficulties to the printing . If you don't do it right, you can waste. Books with different contents may consider the corresponding paper. Due to the difference in texture and grammage of the paper, the form of book brows should also be considered differently. Some papers are loose in texture and some are light in weight, such as the selection of large shading and ink printing in the field. The system will inevitably cause a bad effect of stacking ink, penetrating and infiltrating finished books. Again, due to the difference in paper materials and additives, the paper's light and brightness are also very different, with white, high white and a variety of color. The same ink on these different papers will reflect different coloring effects, which requires us to carefully grasp, so as not to cause unnecessary passive to the subsequent process. Second, from the perspective of readers, the practicality of the design of book brows is also reflected in the convenience of readers. For instance, when I was designing the "Chinese Dictionary" (Revised Edition), because it was a 16-volume and 9-volume masterpiece, the book brows, inspection information, decorative graphics, and line segments were all placed on the incisions under the heart of the edition. The inspection information is placed on the place where it is overturned, so that even if the layout is balanced and beautiful, it is convenient for readers to read and search. Considering that the books are mostly six-dimensional, I adjusted the design of the books, such as the New Century Chinese idioms. "Dictionary", the sequence of check information made into a bleeding version of the text in each sequence of the first 6 yards, so that readers can easily find the desired content, in the mouth will not cause a dark gray ribbon feeling. In other books, I will check the information from top to bottom and place it in a pattern.
In short, book design is an extremely important part of book layout work. It requires our designers to follow the three principles of the integrity, aesthetics, and practicality of book design. In the book design work continue to forge ahead, dare to break through; mobilize modern tools, pioneering and innovative, and more cooperation with the upper and lower processes. A book or a book with a matching content is used on a beautiful printing material. A book or a set of beautiful books that satisfy oneself, especially a book that is deeply loved by readers, was born.
"Bookbrow" generally refers to a book layout design under the incision on a book, which is independent of the text, single-character chapter names, and double-coded book titles. Above two dimensions on one visual surface, two lines of text are like two eyebrows, so they are called brows. The main function of the book brow is to indicate to the reader what books they are looking at and what they are looking at. However, we cannot ignore its other important function, that is, beautify the layout and balance the line of sight, giving the reader a relaxed and happy feeling. The book brow is composed of words, symbols, line segments, and so on. Of course, the presence or absence of a book brow, the change of words, line segments, and symbols, and the arrangement of space should all be different according to different books. Most of the books are designed with the eyebrows in mind. This is mainly due to its convenience in reading and beautifying the layout. The book brow design is a packaging art, and the appropriate book brow is a sacred brush, which can add glory to the book brow, so that readers can not put it down. So how do you design a book eyebrow? I think we should pay attention to the integrity, aesthetics, and practicality of the design of the book. As long as these three are well combined, coupled with the readability and practicality of the contents of the books, we can design a good book that is popular with readers.
Integrity
In the case of a single book, it consists of a cover, a seal, a cover, front and rear rings, a front page, a foreword, a foreword, an outline, a table of contents, an index, a text, and an illustration. The design of the book brow is the same as the above. All elements are combined, consistent before and after, in one go. Especially in the form of expression, the designer must carefully study the manuscript so that the book brow truly reflects the inherent meaning of the manuscript. The designer should refine and sublimate the text of the book and accurately express it as a silent language on the layout, so as to impress the readers with calmness and create heart-to-heart communication with them. For example, when I was designing the "Dictionary of the Historical Records" (1994 edition, 16th), taking into account the "Historical Records" for the Han Dynasty works, it was a grand masterpiece. The Han Dynasty famous bricks, tile, stone carvings, its artistic value has been recognized by the contemporary people. China is the hometown of dragons, and there are no fewer than 100 kinds of stone carvings. When I was designing the book, I designed the Chinese characters to be smaller on the 4th and smaller on the 5th. Together with the text, the Han Dynasty portraits will be carved on both sides of the cut heart of the foreword, the catalogue, and the first chapter of each chapter. The middle line frame will be the name of the section of the chapter. In the remaining content of each double-single code is ranked on the next anti-line of the incision, online page number, title and chapter name, only in the single code Qi Shumei anti-line by the incision at the Eastern Han Dynasty carved stone dragon portrait brick. The stone dragon was unearthed in Nanyang, Henan Province, and it was one of the birthplaces of the Chinese nation. At a closer look at the map, Shenlong twisted his head and looked back at his mouth and his tongue-shaped body and figure-shaped body to carry the immortals. His majestic four-footed and fast-moving body is vividly represented on the paper, symbolizing that the history of the Chinese nation is an indomitable and strenuous history. . The Chinese nation will surely be able to make a magnificent and wonderful contribution to the history of human civilization in the history of the world. This is exactly the essence of the book.
Aesthetic
The book eyebrow is "brows eye" and "eyebrow". It plays a role of guiding and facilitating readers' reading. It also has the function of beautifying the layout, adjusting the viewing angle, and balancing the senses. In view of this, I thought that I would not be able to put my head on the edge of the book like many years ago. It would be too single and rigid, like a thousand people. The development of modern society, economic prosperity and rich cultural life have made people’s social life colorful and diverse, especially in the busy and fast-paced work. People are not satisfied with reading newspapers and reading books. "Leather", to study in a pleasant, relaxed, casual atmosphere. This requires the layout of the book to be beautiful and must be highly decorative. Chinese characters are different from English, and English is flower-shaped. It has a strong decorative effect; Chinese characters are square characters, especially simplified Chinese characters. Although writing is simple, the decorative effect is not strong. With the development of computer photocopying application software, there are many font changes, which requires our designers to make full use of computer tools, to play their own artistic imagination, mining the cultural connotation of Chinese characters, call points, lines, blocks, boxes, fonts, symbols, Use black and white gray or multi-colored, warm and cool to decorate the book eyebrows and beautify the layout. Let readers do not feel tired and happy, and the effect of reading will certainly be good. Based on this guiding ideology, when I designed books such as "White Horse Temple and Chinese Buddhism," "Guangguang Master Yearbook," "Diagram Students' Idioms Dictionary," and "Primary School Words Handbook," different book contents were made. Different book eyebrow designs. "White Horse Temple and Chinese Buddhism" and "Yinguang Master's Yearbook" belong to the same type of Buddhist eyebrows. In order to embody the ancient spirit of Buddhism, the texts are vertical, and the eyebrows are also arranged vertically by cutting. The "Yinguang Master's Yearbook" is an anti-line vertical line of text, with a horizontal line at the middle of the line. The lines are lined with double-code titles, single-code years, and the horizontal lines are lined up. The positive and negative lines form contrasts, and the positive line is just in the middle of the book, which is the focus of the perspective, which plays a balancing role. "White Horse Temple and Chinese Buddhism" is divided into three vertical frames within the thin frame line. The form of the title, title, and page number are vertically arranged from top to bottom. Together with the line segment, it is divided into a chapter title and a silver net lined with ash nets for traditional Chinese characters in black-and-white titles, so that it integrates with the square, antique, and has a strong bookish tone. "Graphics Student Idioms Dictionary" and "Primary Words Handbook" belong to the student's books, but the contents are arranged one by one. "With map student idiom dictionary" for 48 format: surface 110mm × 150mm format, basically every one row of a word, resulting in each version of the next version of the heart is not the same. In order to understand this deficiency, I ranked the title on the 5th small body, and added "◎" on both sides to make a page number by cutting. In this way, a balanced perspective and the effect of beautifying the layout are achieved. The book “Primary School Students' Words and Phrases†has a size of 64. It requires a large layout and a large number of characters. I rely on the incisions to center the pages above and below the pages of the two small swallows. It means that elementary school pupils like spring nestlings fly high in the garden. The design of the upper eyebrow book is different, and the specific arrangement was made based on the content of the manuscript, which reflects the aesthetic principle of the book eyebrow design.
Practicality
The practicality of the design of the book brow can be discussed in two ways. One is that from the up and down process procedures, the designer should consider the operability of the next process, such as the design of large items of small format, the design of the book as a bleeding or large bleeding shading will bring difficulties to the printing . If you don't do it right, you can waste. Books with different contents may consider the corresponding paper. Due to the difference in texture and grammage of the paper, the form of book brows should also be considered differently. Some papers are loose in texture and some are light in weight, such as the selection of large shading and ink printing in the field. The system will inevitably cause a bad effect of stacking ink, penetrating and infiltrating finished books. Again, due to the difference in paper materials and additives, the paper's light and brightness are also very different, with white, high white and a variety of color. The same ink on these different papers will reflect different coloring effects, which requires us to carefully grasp, so as not to cause unnecessary passive to the subsequent process. Second, from the perspective of readers, the practicality of the design of book brows is also reflected in the convenience of readers. For instance, when I was designing the "Chinese Dictionary" (Revised Edition), because it was a 16-volume and 9-volume masterpiece, the book brows, inspection information, decorative graphics, and line segments were all placed on the incisions under the heart of the edition. The inspection information is placed on the place where it is overturned, so that even if the layout is balanced and beautiful, it is convenient for readers to read and search. Considering that the books are mostly six-dimensional, I adjusted the design of the books, such as the New Century Chinese idioms. "Dictionary", the sequence of check information made into a bleeding version of the text in each sequence of the first 6 yards, so that readers can easily find the desired content, in the mouth will not cause a dark gray ribbon feeling. In other books, I will check the information from top to bottom and place it in a pattern.
In short, book design is an extremely important part of book layout work. It requires our designers to follow the three principles of the integrity, aesthetics, and practicality of book design. In the book design work continue to forge ahead, dare to break through; mobilize modern tools, pioneering and innovative, and more cooperation with the upper and lower processes. A book or a book with a matching content is used on a beautiful printing material. A book or a set of beautiful books that satisfy oneself, especially a book that is deeply loved by readers, was born.
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