Yin Cui Si Ting asked: How to draw a sense of volume when thick coating
Teacher Qi Qi from the original portrait course:
The main structure and light and shadow that should be considered when drawing a sense of volume, that is, the large block surface and the sketch relationship (black and white gray)
Figure 1 of this eye of Linyi, if we want to express its sense of volume, the first thing to do is to understand the structure of the eye: eyebrows, eyelids, double eyelids, eyeballs, upper eyelids, lower eyelids, lying silkworms, etc. After clarifying these structures, the next step we need to do is to analyze the large black and white ash relationships and separate the structures with color.
Figure 2 Although the black-and-white gray relationship is very clear, the structure of the eye is very confusing, the eyelids and the horizontal silkworms are very flat, and the overall volume of the eyes is worse than that of Figure 1.
The main reason why Figure 3 looks flat is that the contrast between black and white is not strong enough, and the relationship is not opened, so it seems that the effect is not as good.
In summary, the application of the above theory to other cases is also applicable. Regarding the volume expression of the hair, it is also necessary to split the hair first, which one is pressed on which one, what is the general light and shadow, according to the light and shadow To draw a suitable black-and-white gray relationship, the sense of volume can be expressed.
Shao Zi asked: How can the marker color be so uniform?
Teacher Ke Ke from the Q version of the course:
Marker pen is a quick-drying coloring tool, so if you want to be symmetrical. First, you can use the overlap method, first of all the overlap of each color itself, and then when the two colors are to be merged, the color is superimposed from shallow to deep. Second, when painting, you should make a quick and neat painting. Don't repeat a place.
Biu~Q: When the original painting is done, the character gesture is very awkward and not very natural. I want to ask how the character movement should be practiced.
The night sky teacher from the Japanese course:
In fact, I will pay attention to a lot of details when I first started practicing, and then slowly squat down, so that the efficiency and quality of drawing is very low. Therefore, when I refer to a picture, I will pay attention to her general direction. These lines will not be too much for grasping your picture. Under this premise, the human body structure will be added.
An old salted fish asks: How can I draw a handsome boy with an angular shape? Every time I try to paint a boy, at the end I have become a female painter... QAQ
Jiang Jiang teacher from the original portrait course:
First grasp the male body characteristics, such as wide shoulders and narrow waist, body proportion of four or six points. The five officials should pay attention to the fact that most of the male facial features are narrow and long, the nose is straight and the lips are thin. Here, use the screenshots of the characters in the game.
Liu Jiaxin asked that in some so-called painting circles, there are always people who copy plagiarism and the style of painting is really plagiarism?
Teacher Qi Qi from the original portrait course:
My personal understanding is that it is very shameful to copy other people's works, but the style of painting is a person's drawing habit. Many Xiaobai Mengxins are all from Linyi. At the beginning, they will choose the style they like and learn a style that he likes (ie, brushstroke habits, or light and shadow).
In my personal understanding, this can only be said that learning is not plagiarism, because he is still creating his own works, but he is still immature and can only express it through imitation, but can’t join his own. Some personal characteristics, as if most of the counseling institutions, or some of the large classes, are inevitably similar, are similar to their teachers, but they cannot be said to be plagiarism. If they grow up for two or three years, Maybe everyone's style will be different.
Suspected life of the leek sister ~ obstacles Q: Is there really no quick background method for sai?
Teacher Ke Ke from the Q version of the course:
Really no... oh... there are ways to quickly fill colors, such as paint buckets, alt+del, etc. However, there are only two ways to add a background. The first way, you are added to the graphics tool in ps or try to map it, like this.
The second way, the background is painted.
If Snow asks: What should a newbie practice first, a little confused (ಥ_ಥ)
Jiang Jiang teacher from the original portrait course:
First practice the lines and the control ability of the color blocks, you can draw some simple geometry, plaster and so on. More than one draw, draw the shape and then add exercises such as perspective, human body, etc. according to the direction of the subsequent development.
Ani Q: When I was drawing, I was able to make a manuscript, but I couldn’t shake it when I hooked it.
The night sky teacher from the Japanese course:
In fact, this is a very normal problem when we first came into contact with painting. In fact, it is not at hand. Then we also have a heart that loves beauty. Here I teach you a few tips for drawing lines.
1-Stretch the lines at the intersection of the lines with the eraser (or transparent pen)
2- Undo Dafa, and use ctrl+z to continually modify
3-Using the distortion in the selection tool. Normal move adjustment
Summary: Don't rush to make progress when painting, how much effort you have on this painting will give you much return.
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