Problems in Ink Painting Reproduction

Due to the need of social formation, the high-fidelity copying industry for digitally printed artworks is progressing rapidly, but it is also uneven. There are both high quality and poor reproduction products, and the gap is very large. It is both exciting and worrying. High-fidelity replication of works of art is a very strict, careful, precise and meticulous office. It is necessary to achieve perfection and continuous improvement. Otherwise it will damage the value of art and it is also a disrespect for the artist's mind and energy.

In addition to the technical and material factors, these differences are mainly due to the fact that people who hold positions of office lack the artistic vision and comprehend the beauty of art, and lack the understanding of color. Taking the high-fidelity replicas of Chinese calligraphy and paintings as examples, we will discuss the major issues that have existed so far.

(1) Ink is not clean

In ink painting, ink is reused, and the changes in the depth, depth, depth, lightness, and depth of the ink color are emphasized in order to maintain the purity of the ink and to ensure that “color does not interfere with ink” and “color does not cover the brush” to effectively avoid uncleanness. Color cast. In one copy of calligraphy and painting simulations, one is that the color ink is lining very much, causing the ink color to be unclean; the second is the ink melody level merging. The ink is not a loss or a bluntness, and it misses the natural infiltration of the ink. The coke and dark ink are of the same grade, and the ink is not dark and not coke, and it misses the coke and ink in the ink.

(2) Embossed edges

Chinese calligraphy and painting use the infiltration and exudation effect of rice paper, and express the natural infiltration of ink and water through the shades of water and ink. In a little copy of the simulation, due to the sharp emphasis on over-exaggeration, lines and objects appear to have embossed edges on the edge of the silhouette, which absolutely misses the natural interest of calligraphy and painting.

(3) Hue distortion

Ink painting is elegantly colored and elegant, with emphasis on "color painting with lustrousness" and "color and harmony". That is, it is necessary to have vitality for God's color, and the second is to coordinate with the right one. Whether it is a heavy ink painting or a painting that is still refreshing, fresh, white, and smooth, it must be simple, elegant, clean, light and not thin, and achieve the natural bond of color and ink to form the effect of ink color fusion. In one copy of the simulation, one is that the color is disposed too much, the color of the department is too fresh and too fast, and the color of the group's screen does not match properly; the second is the distortion of the color of the ink painting, such as the plant pigments cyanine, vine yellow wood Mineral pigments such as azurite, green pigments, and Heshi differ greatly from their original counterparts. They often reproduce green pigment colors as yellow and green, and copy opaque and cool Heshi colors into tantalized brown color; The copy is too thin, too hot, not steady, and absolutely missed the quaint unique style.

(4) Ink-out section

Ink and ink paintings are the necessary artistic elements, especially the ancient paintings. A lot of seals and seals are not the same as the times. They are deep and shallow, there are dark and clear, there are Yin Wen and Yang Wen, and they are very particular about art.

Among the replicas of some ancient paintings, some of them were particularly laconic against the seals of India and chapters. They jumped out of the screen and were dazzling. Some of them were not adequately proofed and became dark brown, and some even revealed primary inaccuracies. Zhu Hongyin The chapter is made bright red.

The title question pays attention to the depth of the color of the handwriting, the depth of the writing, the lightness of the ink, and the depth of light. A bit of a copy of the simulation of the title of the handwriting, one is thicker, the edge of the writing dew, not crisp; the second is the depth and depth of the color level and level; third is the ink is not pure handwriting, color ink lining very much. The differences in the copy-printing of India and India have affected the artistic effects of ink painting poetry, books and paintings.

(5) uneven background

Most of the ink paintings have vacancies, that is, the true qualities of rice paper or silk, which are the tight parts of the painter's composition. The painter leaves vacancies and gives people association, emotion, and imagery. In a replica of the ancient paintings, the rice paper or the hustle and bustle of the paintings were all unfair, and some departments were very bright, and some were very dark, causing the screen shades to be unlinked.

In response to the above-mentioned topics, there is an urgent need to increase the artistic attainment of people who copy positions and have experience in the examination of ink paintings. This ability has further increased the level of high-level reproduction of Chinese calligraphy and paintings. The experience of certifying works of art can be nurtured. Through practice, people can appreciate the beauty of the works of art.

To sum up, for artistic copying of high-fidelity artworks, it is necessary to perform creative art reproductions like artists do. First, it is necessary to fully grasp the laws of modern digital printing and color image management technology and to grasp the application of rice paper and paper. The nature of the paper and the special nature of ink-jet pigment inks, and therefore the art of micro-spraying expresses the depth of wet and dry color of calligraphy and painting art. You and I cooperate with perfection, such as singing and singing. The second is to cultivate a little bit of artistic literacy and experience in practice, and to listen to painters and test senior experts on the period of the environment to be simulated and reproduced, the internal meaning of the topic, the uniqueness of the brushwork, the interpretation of the hue style and self-cultivation. In order to achieve an ingenious understanding of the art work in advance, not only to achieve eye height, but also to get a high degree of success, so that the level of China's art of high-fidelity replication to obtain all aspects of progress.